I know that traditionally christening robes should be long, white, delicate and frilly. But I don’t generally follow the rules so the ones I made for my girls are short, bright pink and orange and made from sturdy cotton Shwe Shwe.
I love the designs and colours of this traditional Xhosa fabric and have made a skirt for myself, used the fabric for accents to more corporate clothes and fun zipper pouches. The trick is that the fabric is quite narrow so it works well for clothes for little people and is a bit more challenging for adults. I got this fabric from Fabric World in Cape Town.
For the pattern, I wanted an easy, flattering and cheap pattern (who doesn’t?!) that would work well with the fabric. I stumbled across Sisko by Mieke’s Janneke dress which looks gorgeous. I love the fabric choices of her various iterations. The one catch though is that the pattern and instructions are all in Dutch?! Luckily, as a born and bred South African, I am fluent in Afrikaans which is a close relative to Dutch but there were a few words that I had to Google to make sure I was getting my fronts and backs all correct! I cut the biggest size which I was hoping would leave some room to grow but my littlies are growing so fast that I don’t think I’ll get too much wear out of them. They are also becoming incredibly particular about what they wear: the favourite blue or orange T-shirts are pretty much a staple; any dresses are usually a fight; and any desire of mine is usually not acceptable!
The pattern came together pretty easily. I love the box pleats in the front and they work out nice and crisp with the ShweShwe fabric. I made my own piping out of bright green bias binding that I had made for the orange snuggly sleep sack and I love how it complements the bright pink and orange and makes the green accents jump out. Instead of the facing procedure suggested by the pattern (I had a hard time deciphering it…), I used Kitschy Choo’s tutorial on How to Make a fully lined bodice. It’s a great tutorial and makes the whole step-by-step process a breeze! This is such a brilliant technique – I wish I’d known about it for some of my own clothes. I am definitely going to use this again.
The dresses came out really nicely although I fear the girls have already outgrown them. All that hard work for so little air time…
Pattern: Sisko by Mieke’s Janneke pattern
Fabric: Pure cotton traditional Three Cats Shwe Shwe made by DaGama; Bought from Fabric World in Cape Town.
Alterations: I used Kitschy Koo’s tutorial for the lined bodice
Do it again: I’d like to make a bigger version but I’ll have to brush up on my pattern grading skills because I used the biggest size available on the pattern 🙂
I made this dress a while ago, but like so many of my projects that end up in the cycle of wear, wash, repeat I didn’t get to take any photos and didn’t get around to blogging about it. Back when I made the Saltspring in Blue, I had been eyeing out Sewaholic’s Yaletown pattern as another great option for a breastfeeding mom who needed work clothes to be a bit more forgiving for a few months.
The pattern came together really easily and I love the stretchy waist line and no zips or buttons! I didn’t include the button closure at the front for ease of access for nursing but I also quickly realised that I would need to wear a camisole underneath.
The fabric I used was a lightweight poly cotton from the Remnant Warehouse in Sydney and although the fluttery-ness of the fabric goes well with the pattern I am disappointed that it’s not 100% cotton. I can definitely feel the difference. (Oh dear…turning into a fabric snob!). The fabric is also rather see-through so early on I realised I would need to line the dress. At least the skirt portion. My decision not to line the bodice went hand-in-hand with the always-where-a-cami idea.
With the lined skirt came in interesting dilemma of how to deal with the in-seam pockets. Does one make pockets in the outer fabric AND the lining and make sure it all lines up? Do the pockets somehow float between dress and lining? Or do you make a slit in the lining so that pockets can be tucked through the lining? I’m not sure what standard practice is in this situation but I went with the last option: split the lining for a section of the side seam, finish the edges and let the pocket poke through. This seemed like an elegant enough solution and it seems to work well for me without unnecessary bulking up of the fabric.
The pattern includes a fabric belt but the dress also looks great with a wide belt tight around the waist.
Pattern: Sewaholic’s Yaletown Dress
Fabric: Lightweight poly cotton from Remnant Warehouse in Sydney
Alterations: I lined the skirt portion and didn’t put the catch or closure on the front cross over and just prefer to wear a camisole underneath.
Do it again: If I find the right lightweight PURE cotton.
While it may look like I have only been sewing and crafting baby stuff, I have in fact managed to eek out a few projects for myself. As cute as the baby gear is, one has to make a few selfish projects every now and then and I know that as a blog reader if you’re not in the same baby stage as me, the baby stuff gets exceedingly boring. So here we have the first of me trying to showcase the non-baby projects I’ve been working on. The biggest challenge I have found is actually getting pictures of the projects because inevitably a baby will be escaping from a stroller or screaming her lungs out right in the middle of the photo shoot. I’m also working 4 days a week now so time is very limited and the household is chaotic. But the ‘Sew Must Go On!’.
For a while now I have been really impressed with Sewaholic’s patterns and really enjoyed the Renfrew tops that I made here and here. I was also inspired by all the gorgeous Saltspring dresses that I saw around (like Amy from Sew Well’s Blooming Saltspring in Blue). So I ordered the Saltspring pattern a while ago but needless to say it remained untouched for a long time until now.
The fabric I got on a trip to San Francisco a few years ago and I think I bought it under the illusion that it was silk but I’m pretty sure it’s not (given the price and the establishment where I found it). I did also try the burn test to check if it burned or melted – is this a conclusive silk vs acrylic test? Any way, I liked the big bold blue print and it feels lovely and silky.
I took a it of time trying to get the pattern placement right – note ‘heart’ on my chest and centered patterns on the skirt – that’s no accident and I’m amazed it turned out! Cutting out the pattern in a silky fabric is never easy and always a bit fiddly but i got it done in the end and my sewing machine seemed to handle the fabric like a star. I did assist in using a microtex sharp needle.
I like how the dress came together and I love that it has pockets! The billowy bodice is also better than I expected and the neckline is a nice cut without being too revealing. One thing I should’ve done (and I wish I had reread Amy’s post before I started the dress as she suggested it) was to leave out the back zipper. I can get into the dress without the zipper (the waist is elasticized) and I think it makes the back sit weirdly and not lie nicely. I suppose I could remove it and just sew up the seam but that will have to be a project for another day.
(I think this photo is where I noticed Twin B launching herself out of the stroller and the photo shoot came to an abrupt end).
I am hoping to get some wear out of this dress before the weather turns too cold although I have realised that maxi dresses are not that conducive to having small children because they grab the dress and you have no hands to hold up the bottom when you’re climbing stairs etc. And grubby paws don’t go well with silky fabrics. All these things I never knew!
Pattern: Sewaholic’s Saltspring
Fabric: Silky satin from a store in San Francisco
Alterations: None; but I should’ve left the back zipper out
Do it again: Hopefully. Maybe a short one next summer…
Not only is Christmas a time of friends, family and too much food; but when there are two babies in the house it’s a time for ridiculous Christmas themed outfits! Besides the essential Father Christmas and Elf store bought onesie, I managed to carve out some time to make Aussie Christmas dresses for the girls.
The fabric is a cotton that I found at Lincraft and I just love the Aussie animals on the red one. The pattern is simple self-drafted pattern based in another dress. It’s just a lined bodice that ties at the shoulders and a gathered skirt. The fit around the chest isn’t amazing but it was definitely fine for a dress that sadly will only get a few wears. I did max out the dresses’ exposure by making sure the girls wore them 4 times over the holidays!
I’ve had my eye on Burda Style’s free Danielle dress pattern for years and it’s been on my sewing list for ages but I just never seemed to get around to it.
Initially I had planned to make it for a wintery work dress but my timing was out so I made a sleeveless version that could be worn as the summer heats up.
I used some grey suiting that I had in my stash but decided that it needed some pizzaz to avoid being completely corporate and boring. So got some gorgeous petrol green silk from the Tessuti remnants table that worked well made into the piping that I wanted to spice things up. I also had to obviously add arm facings as I left off the sleeves.
The dress came together well EXCEPT for the enormous bust dart in the empire line bodice. I could NOT get it to work. I tried all sorts of tricks and resewed it about 5 times. I read all sorts of posts about sewing big darts but nothing could stop the Madonna Cone Boobs look below. This was not the look I was going for and eventually gave up and used gathers instead.
Maybe not quite as neat a finish and a little uneven but I was just relieved to be out of the dart sewing dabacle. Does anyone have any brilliant tips on sewing big empire line bust darts? There is another dress with an Empire line that I’ve been fiddling with but the bust darts also have me stumped.
I like how the dress turned out with the big tucks in the skirt front and I think the green piping is just what it needed to make it a little different. The square neckline is interesting – not something I’d normally go for – but it works well for this dress even though it means having to wear a very specific bra that doesn’t show in the corners of the neckline.
Thanks for stopping by and PLEASE, if you have any good advice on big empire line bust darts, please pass it my way!
Pattern: Burdastyle Danielle dress
Fabric: Grey suiting from my stash. Originally from a second hand fabric market in Newtown. I think it’s a cotton poly blend – maybe some wool ?
Alterations: No sleeves and bust gathers rather than dart
Do it again: Maybe – once I’ve figured out the bust dart dilemma
I got a lovely suprise in the mail the other day when my Alisha pattern from Style Arc arrived. This was the pattern that I chose as my prize for the Ziggi Sew along. I am excited to try this gorgeous dress out although with winter finally having arrived, I think it may have to wait for some warmer weather. In the mean time I will dream of beautiful lace dresses and try not to buy too many options to fill by stash with.
Thanks, Style Arc!